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god’s river

April 18, 2016

by Billy Ray Belcourt


it is september 2009 and health canada sends body bags to god’s river first nation—a community hit hard by swine flu


a body bag

is a gun

is a smallpox blanket

is a treaty

—call it a medicine chest


wait for

the autopsy

they call it H1N1

you call it

the pass system:

bodies like

these can

only leave if

they’re on


—call it “moving


Read more…

Adapting the Indian in the Child: The Settler Colonial Politics of Adopting Native American Children

April 4, 2016

by Joshua Whitehead

In June of 2015, Manitoba became the first province to apologize to survivors of Canada’s Sixties Scoop. For those unfamiliar, the Sixties Scoop refers to the removal of Indigenous children from their families, “scooping” them up, and placing them into foster homes with non-Indigenous families and/or residential/day schools. I also deploy the term Sixties Scoop with an awareness of its expansive and evolutionary nature, in that it branches beyond the sixties and moves well into the eighties; moreover, its remnants can be seen in Canada’s contemporary Child and Family Services (CFS). In light of the Truth and Reconciliation Commission (TRC), Manitoba’s apology was a first step towards reconciling with survivors. As the child of a Sixties Scoop survivor, I am interested in how adoption functions within the larger framework of North American settler colonial practices[1]. While there is quite a bit of research on the effects of adoption on adoptees and their parents, what I am interested in exploring for the purposes of this essay is the effects/affects of adoption from an intergenerational and intercommunal perspective. I ask: how does adoption of Indigenous children away from their communities and relations harm Indigeneity intergenerationally? How does the adoptive child fit into his/her/their community and moreover, how is the community kinship impinged through adoptive practices? I want to place my research findings and personal experiences in tandem with the recent film, Drunktown’s Finest, in an attempt to question how adoption of Indigenous children away from their communities impinges entire Indigenous communities as a tool of settler colonialism.

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The Enduring Rhythm of Ngũgĩ wa Thiong’o

March 30, 2016

by Josh Myers


The African future. Many have mused about its meaning. Many have predicted its possibilities. Few have considered its philosophical basis. Even fewer have considered its spiritual foundation.[1] What will be the moral compass that guides the African future? Who will determine what is good for Africa? For Africans? For those willing to answer these questions in ways that privilege the humanity and cultural authority of African peoples, for those unwilling to subject the African future to the whims of those who would answer these questions from political cultures beholden to the traditional sources of African doom—above all capital, and for those whose orientation is guided by what Anderson Thompson once called “the African principle,”[2] we cannot begin to answer these questions without a deep engagement with the intellectual work of the Kenyan writer, Ngũgĩ wa Thiong’o.

Among the most significant literary and cultural voices among an expansive tradition of Pan-African “Grand Theorists,”[3] his work continues to powerfully resonate for African peoples unwilling and unable to submit to the cultural imperialism of those who believed that capitalist modernity was and is an irrevocable leap forward for humanity. At the core of this contribution has been the idea that the political projects regnant of the freedom dreams of African peoples must in fact be grounded in the cultural identity of those for whom freedom is to be won. The study of African languages as more than simply an anthropological relic, but as the recovery and use of such languages as carriers of what it means to be—to be free— has guided and continues to guide this oeuvre. For decades Ngũgĩ’s writings have kept this consistent rhythm, and the beat goes on. It carries the logic of resistance, of renaissance.[4]

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March 24, 2016

Today we are tweeting with the hashtag #DecolonizeWaterPolitics to discuss the politics of water worldwide! We want everyone to join the conversation: to talk, understand, report, and tweet about re-envisioning and decolonizing how we understand water and our relationships to it. Join us March 24, 2016. Share news stories that you think express Indigenous ideas, share your own thoughts on decolonizing water politics, and let everyone know why we need to #DecolonizeWaterPolitics .

Abstracts for our special issue on Indigenous People and the Politics of Water are due April 4. We seek contributions that foreground critical historical, theoretical, and empirical approaches to understanding the politics of water. We contend that struggles over water figure centrally in salient concerns about self-determination, sovereignty, nationhood, autonomy, resistance, survival, and futurity that drive Indigenous political and intellectual work.

Full information on the special issue can be found HERE!

Follow us on Twitter: @dies_journal, @cutchabaldy, @melanie_yazzie, @eritskes

Reconciliation and Mandatory Indigenous Content Courses: What are the University’s Responsibilities?

March 17, 2016

by Rauna Kuokkanen

I fully agree with everyone who argues that Canadian university students do not know enough about Indigenous peoples and their societies, histories, political orders and worldviews or systems of knowledge. Yet, I’m wary of the growing chorus of calls for mandatory courses on Indigenous issues in Canadian universities. I fear we as Indigenous scholars and educators are selling ourselves short. Especially for universities that have not shown serious and long-standing commitment to Indigenous studies and scholarship, mandatory courses are an easy way out.

A lot has been written on both the pros and cons of mandatory courses on Indigenous peoples and the logistics of designing, implementing and teaching such courses: who is going to teach the courses, under which unit with what kind of financial and human resources available (see, GaudryJustice; and McDonald). I share these and other concerns about how to ensure the courses will meet the intended objectives instead of end up being counterproductive and backfiring, especially on Indigenous students and faculty.

My fundamental unease, however, has to do with the obstinate refusal of the academy to go beyond relatively shallow changes in the curriculum and to address its academic practices and discourses that enable the continued exclusion of other than dominant Western epistemic and intellectual traditions. Reconciliation becomes a quick-fix solution or an item on a list, which once checked, needs no further consideration or attention.

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We Be, Therefore, I Struggle

March 10, 2016

by Alex Abbasi



Is more than a verb

Noun, adjective or word

It is a particle

An atom of light



Sometimes fast, sometimes shadowed

From the depths of darkness

Sharper than a sword

Swearing to one’s Lord

¡Allahu Akbar!


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the sound from here

March 3, 2016

by Nadia Rhook


over there

colonisation sounds like business


I can hear money tinkling

Got change? Yeah, nufor a latte anyways


from the universe-ity it’s

empires, eroding my ears, by overlapping waves

Si, me encanta este ciudad

But y’now she’s got issues like the rest of them


but from here

colonisation is quiet


squatting on my front porch

the Dandenongs are mountain ranging

children dart up this path on bikes

I hear them scoot away

the trickle of water on a spongy garden bed


in an arrangement, signed & unspoken, we

rent this place and water the roses when we remember


from this porch settler colonialism sounds easy

like suburbia


the question, not how can that be? but

how long til it sounds different


Nadia Rhook lectures and researches history at Latrobe University, on the Wurundjeri land of the Kulin nations. Her PhD explored the aural dimensions of migration and colonialism in Melbourne. She’s concerned with the decolonisation of language(s), and is co-curating a heritage exhibition, ‘Moving Tongues: language and difference in 1890s Melbourne’, to show in October 2016.